Brief Fact Summary.Brandir International, Inc. (Plaintiff) sold a wire sculpture as a bicycle rack that by was deemed not to be copyrightable because it was an industrial design not subject to copyright protection.
Synopsis of Rule of Law. Copyrightability ultimately depends on the extent to which the work reflects artistic expression not restricted by functional considerations.
Issue. Should copyrightability ultimately depend on the extent to which the work reflects artistic expression not restricted by functional considerations?
Held. (Oakes, J.)Â Yes.Â Copyrightability ultimately should depend on the extent to which the work reflects artistic expression not restricted by functional considerations.Â If design elements reflect a merger of aesthetic and functional considerations, the artistic aspects of a work cannot be said to be conceptually separable from the utilitarian elements.Â The final form of the bicycle rack sold by Brandir (Plaintiff) is basically a product of industrial design.Â Form and function are inextricably intertwined in the rack, its ultimate design being as much the result of utilitarian pressures as aesthetic choices.Â The original aesthetic elements have clearly been adapted to accommodate and further a utilitarian purpose.Â Affirmed.
Where design elements can be identified as reflecting the designer's artistic judgment exercised independently of functional influences, conceptual separability exists.View Full Point of Law
Discussion. The majority in this case adopted a test suggested by Professor Denicola in his article â€œApplied Art and Industrial Design,â€ 67 Min. L. Rev. 707 (1983).Â The Winter dissent suggested applying a different test and another dissent suggested using a temporal displacement test.Â In general, if a work is a useful article, the artistic elements have to be separate in order for the work to be copyrightable.