Question #1
After working ten long years at the Twolane Law School, Professor Carmellow Youchello finally earned a sabbatical. Never one to appreciate the southern climes, Youchello decided to spend the fall in the splendid isolation of southern Maine. He rented a mansion on a private island owned by a former Twolane Dean Jack Bob Remark. One day, while snooping around the attic, Youchello uncovered a musty old volume of Sir Henry Maine’s Ancient Law. On the reverse side of the dust jacket, he discovered scattered notes entitled “Plot for a Movie”. Youchello read the scribbles, jotted down notes, and called his old college roommate Stephen Spielberg. Spielberg loved it; something about a cute little extra-terrestrial that finds happiness in America, and a star is born. Youchellow collects $1,000,000 in royalties, and buys a vineyard in Tuscany.
Two years later, ex-Dean Remark uncovered the Maine volume while browsing through his collection in Maine. As luck would have it, he noticed the scribbles. A movie aficionado, Remark immediately recognized the plot as that of ET. He confronted Spielberg, who confronted Youchellow who, as usual, shrugged his shoulders.
Remark brings an action in District Court against Youchello and Spielberg for $50,000,000, the profits made on the movie. News of the lawsuit is plastered all over the “media”, and Richard Wall learns of the action. Wall intervenes in the suit claiming that he owned the book, and sold it to Remark; he seeks $50,000,000 in damages.
The case with the full cast of characters comes before Judge Honor Off for whom you clerk. He asks you to evaluate the legal basis for the claims of each party, and as always, he is relying upon you to guide him as to which claim is the strongest.
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I. Youchello v. Remark and Wall
1. Found property
Youchello will argue that he found abandon property, the script, and has rights as against all other claimants. A finder of property, here Youchello, has rights in found property against all persons except the true owner. He will argue that Wall, the author, and arguably it owner, sold the book to Remark, and thereby abandoned his right: he manifested an intention to part with his right. That he never tried to reclaim or use the script is evidence that his sale of the book constituted an abandonment of the script. Youchello will argue that he brought this discarded property back into the stream of commerce, and should be rewarded by receiving the profits from its exploitation.
Remark will argue that Youchello was an invitee on his premises, but for a limited purpose; he was not invited to find or appropriate any property on the premises. Moreover, he will argue that since he purchased the book, it was under his care in the house, in his constructive possession. Thus it was never lost, and could not be found. The purchase of the book included the purchase of the writing inside. To allow Youchello to reap the profits of exploitation would encourage guests to hunt for windfalls amongst the property of their hosts.
II. Wall v. Youchello
1. Copyright
Wall will argue that copyright law protects the writings of authors. Should he be able to substantiate his authorship, he would claim that the creative spark is his rather than Youchello’s and his failure to register his right should not prejudice his right. Copyright in written work extends as least as long as his life. The fact that he did not choose to exploit it until now does not constitute an abandonment of his right. He must, however, somehow argue that he retained some copy of the work for prospective future exploitation. Authors are artists, and may sometimes act eccentrically; that conduct ought not to be regarded as a waiver of his rights.